
Hollywood · Oct 5, 2026
Andrew Garfield is in the United Kingdom this week promoting The Uprising, a star-led historical drama that reimagines the 1381 Peasants’ Revolt. The actor’s UK media appearances on October 5 spotlight a film that British distributors open in cinemas next week, and underline how Hollywood actors and UK history are being reframed for modern audiences.

Hollywood · Oct 4, 2026
Luca Guadagnino’s drama Artificial, starring Andrew Garfield as Sam Altman, will receive a gala presentation at this year’s BFI London Film Festival, a high profile addition that sharpens the capital’s festival slate and underlines London’s pull for Hollywood premieres.

Hollywood · Oct 3, 2026
The BFI London Film Festival has shifted into high gear, with the capital welcoming an international slate, industry sessions and a marked focus on British talent and films that blur the line between mainstream and festival cinema.

Hollywood · Oct 2, 2026
Barking and Dagenham’s long‑running bid to host a major film studio took a visible step forward on October 2, 2026, as council regeneration body Be First published updated designs and signaled a fresh planning push for an 18 to 22 acre campus that backers say will attract large scale feature shoots and deliver local jobs and supply chain opportunities.

Hollywood · Oct 1, 2026
British actor Noel Clarke has been charged with multiple sexual offences stemming from alleged incidents between 2007 and 2016. The development has reignited debate across the UK film sector about on set behaviour, reporting mechanisms and the pace of institutional reform.

Hollywood · Sep 30, 2026
The BFI has confirmed the speakers and events that will anchor the 70th BFI London Film Festival’s Screen Talks programme, with a roster of major filmmakers and actors due in the capital as the festival prepares to open in early October.

Hollywood · Sep 29, 2026
London’s BFI Southbank hosts Screen Summit 2026 today, gathering studio chiefs, distributors, streamers and independent producers to tackle financing gaps, inward investment and new commercial models for British film.